Friday, March 30, 2012

Nikon D3100 14.2MP Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens




Price: $549.00 & this item ships for FREE with Super Saver Shipping. Details
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Canon EOS Rebel T2i 18 MP CMOS APS-C Sensor DIGIC 4 Image Processor Full-HD Movie Mode Digital SLR Camera with 3.0-inch LCD and and EF-S 18-55mm f/3.5


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Price: $649.00 & this item ships for FREE with Super Saver Shipping.

The new flagship of the EOS Rebel line, Canon EOS Rebel T2i brings professional EOS features into an easy to use, lightweight digital SLR that's a joy to use.

Featuring a class-leading 18.0-megapixel CMOS image sensor and increased light sensitivity for low light photography, the EOS Rebel T2i also has an advanced HD Movie mode for gorgeous Full HD movies.

Able to capture up to 3.7 frames per second, it's ready to go the minute it's picked up. Advanced Live View, a new wide-area screen, plus features like Canon's brilliant Auto Lighting Optimizer and Highlight Tone features ensure brilliant photos and movies, easily. With some of the most advanced features of any digital SLR, it's simply the best Rebel Canon has ever created.

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Monday, March 19, 2012

Canon XH A1 1.67MP 3CCD High-Definition Camcorder with 20x Optical Zoom

For the professional and serious non-professional alike, the XH A1 combines a wealth of features with the outstanding performance of a 3-CCD, high-definition camcorder.

The excellence of the XH A1 begins with its Genuine Canon 20x HD zoom lens with Professional L Series Fluorite. Super-Range Optical Image Stabilization corrects for a wide range of camera movement and vibration, and Instant AF (Auto Focus) ensures ultra-quick, accurate focus. The DIGIC DV II HD image processor then ensures improved color reproduction and noise reduction - for a final result that is the zenith of image quality.

Price: $3,339.99

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Sony DCR-DVD108 DVD Handycam Camcorder with 40x Optical Zoom

This unit records video straight to mini-DVD disks. You can plug the unit into a TV and play back, you can play back on the LCD, you can finalize the disk and put it into a standard DVD player, or a computer DVD drive. The unit comes with software to install on your PC that you can then use to edit the video clips, then re-burn to a new DVD if you have a DVD burner on your PC. The Zoom function on this unit it so powerful it's absurd. It has a standard 40X optical zoom that is more than enough. On top of that it has a digital zoom that you can program for 80X or a totally insane 2000X. I can zoom in on a single letter of a word, in a small print book, from 50ft away, and then the letter disappears and turns to pixels.

It has a "widescreen" setting in the video options, and the manual does not say that this model records in widescreen, but it does! It also has a really cool nightshot feature that uses Infrared Radiation so you can film in total darkness. The sound quality of this unit is what most impressed me. Very clear, and it has a dolby 5.1 surround converter. It weighs less than 1 pound, and the battery lasts for 90 recording minutes on a full charge.

Price: $899.95
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Monday, March 12, 2012

Canon VIXIA HF M41 Full HD Camcorder with HD CMOS Pro and 32GB Internal Flash Memory

Well, I have had this camcorder now for a week and tested it in many lighting situations and locations and I must say I'm very impressed. Outside filming my niece and dogs in the yard the videos are crisp viewed on my 40" Sony HD LCD TV. I would give it a 5 out of 5. In my eyes, looks broadcast quality. Indoors with varying light was also impressive although I did notice a little graininess. I'd give low light a 4 star rating. Being as anal as I am, I did a little test. Take it for what it's worth.

Now I am the most anal person you will probably meet and maybe set my expectations too high at times, but I started flipping through some of the HD channels on t.v. to do a little comparison and noticed too a bit of graininess if I stood right up to the television. Now I know nobody watches t.v from three inches away, I just wanted to compare what was being broadcasted to what I was able to film with this camera. I must say, this camera's footage is nearly spot on in many instances (TNT in HD, FOX in HD, USA in HD) I'd like to believe I have a good signal from my cable provider into my television, so in overall video quality, I'd give this camera 5 stars.

So why not 5 stars overall for this camera? Well, maybe I'm used to my iphone's touchscreen too much, but the touchscreen on the viewfinder drives me nuts. I might be old school (34 years old), but I really prefer actual buttons to navigate menus and such. I used to own a Canon Vixia HF100 and really enjoyed the navigation stick and buttons. I would say I have average sized hands, and find it a bit hard to get the right menu selection with my finger at times.

Now I did go with the 16gb version and have no regrets though I can't ever see myself opting for using its internal storage. I like to be able to pop out my sd card and just watch my videos on my PS3 or computer for editing instantly. Don't like the hassle of transferring images via usb. Also, wanted a black body as opposed to the silver one. Yes, I'm that picky. LOL. I like the fact it has two sd card slots, so storage should never be an issue.

I also like that canon took a chance on just making it lower megapixel for ideal HD recording. Let's be honest, if you want to take pictures, use a real camera. I'd much rather have better video quality and sacrifice still photos. I know a lot of people complain about this, but it seems to make sense. You're getting "larger" pixels for higher quality low light recording. It's also nice that Canon included the HD CMOS Pro censor in this model. The same one found in the higher end G10, saving you quite a few bucks.

Overall, I'm very pleased with my purchase and feel Canon has put out a very competitive product with great results. I've already bought a lens hood and extended battery to compliment the camera. (Stock battery is too small and leaves a noticeable gap at the edge. A BP819 should fit the bill nicely. I hope this review was helpful. I know a lot of reviewers commented on its other features, so that is why I omitted some of the other points. Thanks for reading.

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Sony DCR-VX2100 3CCD MiniDV Handycam Camcorder w/12x Optical Zoom

UPDATE. 3-3-8. I used this camcorder to film myself making a house painting video. It has been selling on Amazon for over 10 months now. Check out house painting dvd's in the search bar from the DVD section and click on Weekend Painter's DVD! Or see a short clip at weekendpaintersdvd.com! This is the reason I bought this in the first place and it worked like the champ it is! Still going strong, but now I use for weekend trips to the mountains and beach, and so forth. Always pleased when I come home and plug it in to watch the footage!

Original review starts here: SO MUCH PRAISE ALREADY...WHERE DO I BEGIN?
Well this is simply the best camcorder I've ever owned or used. At this level I've used the GL2 in the past. But I bought the VX2100.
I took some footage of a lake recently and thought I was looking at film when I played it back on my HDTV. The color was beautiful and natural looking! One rule. The better the lighting the better the picture!

My first camcorder was a JVC in 87' VHS-C that was just about the same size as this camcorder now. But me-o-my, what a difference digital makes!!
I dig the iLink from my camcorder to my PC and TV and my DVD recorder. ilink can run the show!

Many manual features that lets a dude take control and play around when he has to and wants too! On screen menu really simple and the manual for this is well written and straight forward. But I must admit that some of the dubbing info is over my head at present as well as using memory chip tapes. But I'll get there.

12X zoom could be more but it can also be plenty! Stabilization works fine for my needs, but alot of what I shoot is tripod mounted! "Put it on the TRIPOD" {what movie was that from?} ha ha.

The 2 1/2" LCD is a bit small, works fine, but I find myself gravitating to the eyepiece. It's quicker to use and saves battery life. But the LCD is great to turn 180 degrees to shoot yourself with {ha} and use the remote with!
You might want to buy the Sony 970 battery. Don't waste or risk on other brands, this one battery I used for 6 hrs straight doing an interview and it still had life in it!! The one that come with it is of course a small battery that lasts about 2 1/2 hrs. Thats rec. play-back, stand-by etc etc. Just these two batteries is all I need!!!!!!

Also I added a wide angle lense. The Canon 58m wide anlge works fine with this unit.
Some lighting too; How about Smith Victor 2 umbrella 250 watts lights. Makes indoor shooting look like a TV show!

Lastly a mic. Depending on your use, you might want a shotgun mic for outdoors, or a lav mic indoors. The on camera mic is for people speaking rather close.

All in all I couldn't be happier that I bought "this" camchttp://www.blogger.com/img/blank.giforder. I read and looked around quite awhile before I bought. I think I have more Sony products in my house than any other and this is now no exception! Lights, camera, action!

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Saturday, March 10, 2012

Canon GL2 MiniDV Digital Camcorder w/20x Optical Zoom

Product Description

The Canon GL2 (like its predecessor, the GL1, and its big brother, the XL1) is helping to blur the line between consumer and professional video equipment. This camcorder borrows most of those cameras' professional-quality components and puts them into a more compact, affordable camera. Though it's small enough to carry around and doesn't cost much more than a top-of-the-line consumer camcorder, the GL2 produces such high-quality results that it could be used as a broadcast video camera.

The 3 CCD System
The GL2 maximizes the capability of the DV format by using a 3 CCD (charge-coupled device) system with a separate CCD for each primary color (red, green, blue). A beam-splitting prism separates light passing through the lens into individual color components and each is sent to its own CCD. Compared to a single CCD, the 3 CCD system achieves outstanding detail with highly accurate color reproduction suitable for the demands of high-end video production - wide dynamic range, low color noise, high-contrast detail, natural color resolution and low-aliasing. The 3 CCD system also makes advanced Pixel Shift (for increased image quality) and Low Light Recording (for increased flexibility) possible.

Professional L-Series Fluorite Lens
Canon has satisfied the demands of experienced image makers for years through the power, design and quality of 35mm and broadcast TV lenses. Canon's Professional L-Series lenses utilize Fluorite, a material which provides outstanding resolution, contrast, and color reproduction- especially in lightweight, high-magnification lenses. Incorporated into the lens on the GL2, Fluorite delivers the ultimate in clarity and image quality. The Fluorite element inside the lens defeats color aberration -- the effect when the components of light stray from one another within a lens, causing a reduction in sharpness, contrast and color. The Fluorite lens precisely controls components of light providing an excellent balance of these three critical ingredients of picture quality. This is unobtainable with conventional optical glass.

To further improve image detail, Canon has intentionally shifted the green CCD (which contains 60 percent of the picture detail) half a pixel horizontally and vertically. This shift allows more accurate interpolation, resulting in an image that Canon claims rivals those from cameras with 410,000-pixel CCDs. Each pixel is 72 square microns, which is about 1.5 times the size as those in competing camcorders. This increased size increases light sensitivity, allowing you to shoot in low-light situations. All this results in outstanding detail, with highly accurate color reproduction suitable for the demands of high-end video production. The GL2 also incorporates a 20x Professional L-Series fluorite optical zoom lens, which is equivalent to 39.5-790mm, as well as a 100x digital zoom.

Audio
The GL2's omni-directional microphone is designed to deliver realistic stereo sound. Using the GL2's advanced accessory shoe expands your audio options. Audio can be recorded in 16-bit mode on two channels on one track. Alternatively, audio can be record in 12-bit mode, where the audio track is divided into two, and two channels of audio are recorded onto one track, with the other left over for audio dubbing.

Optical Image Stabilizer
Canon's superb optical stabilization system corrects camera shake instantly so even hand held shots, at full telephoto, and shots taken from a moving car, are smooth and steady. And since it is optical, there is no loss of image quality inevitable with electronic image stabilizers. It perfectly complements the high picture quality of the DV format.

Digital Stills
You can turn your GL2 into a still camera by switching to 1.7-megapixel photo mode and capturing high-resolution still images onto the camcorder's MultiMedia/Secure Digital card. (One 8 MB Secure Digital card is included with the GL2.) The full-frame images are free from time-lag blur. A six-blade circular iris, as found on Canon's top-of-the-line XL1 and XL1S models, is used for professional exposure control, helping to deliver stunning video and still photos.

Inputs and Outputs
The GL2 comes with the standard DV IEEE 1394 port (also known as FireWire) for a super-fast, lossless connection to a PC or other DV machines. You can also connect to your PC via a USB connection to download still photos. The GL2 is designed to handle two types of analog input and output: using audio/video cables (composite) or S-video. Both connections are on the camera back.

More Features

Three shooting modes: normal movie mode, digital photo mode, and the cinema-like frame movie mode.
The Custom Key function lets you create and save your own custom settings so your common shooting modes can be readily duplicated.
Digital effects are offered for a greater imaging variety, including fader, sepia, strobe motion, and black and white.
With the Interval Timer function, you can record for a selected time with a selected interval--convenient for nature observations such as flowers or sunsets.

MiniDV Format
The Canon GL2 digital video camcorder uses the standard MiniDV cassette, producing the highest quality video possible from nonbroadcast equipment. The MiniDV format standard delivers more than 500 lines of horizontal resolution. And, because it records both video and audio as digital data, this information can be transferred--without any loss of picture or audio quality--to a computer for editing, then transferred back to DV tape, without a reduction in either picture or audio quality.

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Canon XL2 3CCD MiniDV Camcorder w/20x Optical Zoom

Product Description

The Canon XL2 allows you to capture images closer to the finished product than ever before. Work that previously was limited to post-production can be simply and effectively accomplished in the field, in the camcorder.An Open Architecture philosophy, performance found only in much more expensive video cameras, Total Image Control and the solid foundation of Genuine Canon Optics, interchangeable lens capability and superb Canon image processing quality are united in the XL2.

The XL2 brings a host of performance and convenience features to this class of video camcorder- benefits that can't be found in this combination on other high-end video cameras. They include: Canon Super Range Optical Image Stabilization in the standard lens; dual aspect ratios; various frame rate capabilities; image gamma and detail controls; skin detail control and convertible LCD display and among others.

Unprecedented image control coordination between two XL2 cameras, remote computer camera control and direct video recording to computer are just a part of the capabilities of the XL2. Never before has so much creative power been put in the hands of the film maker, video artist, and corporate and event videographer.

Fluorite 'L' series lens
Canon is known worldwide for its optics -- its broadcast and photo lenses, for example. The new 20x Professional L-Series Fluorite optical zoom lens for the XL2 is an outstanding lens, using fluorite to deliver outstanding resolution, contrast and color reproduction. In addition, the lens features Canon's superb optical stabilization system. This corrects camera shake instantly and, with its SuperRange feedback system, even catches low-frequency vibrations, refining the movement of the vari-angle prism, delivering the most advanced optical image stabilization available today.

Canon has satisfied the demands of experienced image makers for years through the power, design and quality of 35mm and broadcast TV lenses. Canon's Professional L-Series lenses utilize fluorite, a material that provides outstanding resolution, contrast, and color reproduction - especially in lightweight, high-magnification lenses. Incorporated into the XL2's 20x lens, fluorite delivers the ultimate in clarity and image quality. The fluorite element inside the lens defeats color aberration (an effect that causes a reduction in sharpness, contrast and color). The fluorite lens precisely controls components of light providing an excellent balance of these three critical ingredients of picture quality. This is unobtainable with conventional optical glass.

20x Optical zoom
Canon's 20x Professional L-Series Fluorite lens for the XL2 is the equivalent, in 35mm format, of a 42.3 - 846mm lens when the camera is recording in 16:9 widescreen format. When the 20x Professional L-Series Fluorite lens for the XL2 is recording video in the TV-standard 4:3 aspect ratio, it is the equivalent, in 35mm format, of a 51.8 - 1036mm lens.

Super Range Optical Image Stabilization (VAP type)
Canon's superb optical stabilization system corrects camera shake instantly so even hand held shots, at full telephoto, and shots taken from a moving car, are smooth and steady. And since it is optical, there is no loss of image quality inevitable with electronic image stabilizers. It perfectly complements the high picture quality of the DV format.

Previously, optical image stabilizers have used a gyro sensor to detect camcorder vibration (the data from which controls a vari-angle prism that continuously corrects the path of the incoming light). SuperRange goes one step further by examining the image after it is received by the CCD, and detecting any low-frequency vibrations missed by the gyro. This data is fed back to accelerate and refine the movement of the vari-angle prism. This greatly improves performance for low frequency vibration, resulting in the most advanced optical image stabilization available today.

f/1.6 - f/3.5
Canon's 20x Professional L-Series Fluorite lens features a fast aperture of f/1.6, variable to f/3.5 at full telephoto. This maximum aperture of f/1.6 aids in capturing quality video in low light conditions.

72mm filter thread
With a standard 72mm filter thread, the 20x Professional L-Series Fluorite lens offers the availability of a wide variety of filters from Canon and other suppliers.

You can customize the XL2 to fit your specific application and preferences through a full range of accessories. They include optional lenses, viewfinders, mounts and microphone adapters.

6 blade iris diaphragm
A six-blade circular iris is used in the XL2 for professional exposure control. This helps to deliver stunning video and still photos.

2 independent ND filters
The 20x Professional L-Series Fluorite optical zoom lens includes two neutral density filters to help control light -- for example under bright, sunlit conditions, or when less depth of field is desired. The two built-in filters, 1/6 ND and 1/32 ND, can be used independently.

Electronic focus and zoom ring
The focus ring and the zoom ring are independent controls on the 20x lens. They are servo controlled and the speed can be changed by the speed of the rotation of the ring. There is also a zoom control on the handgrip and one on the top handle.

Zoom preset position
This function allows memorization of a zoom point, so that the lens can return to that framing by a push of the button. The speed of the zoom can easily be controlled.

Focus preset position
This function allows memorization of a focus point, so that the lens can return to that focus by a push of the button. A 'pull focus' can easily be accomplished. The speed of the focus can easily be controlled.

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Canon EOS 5D Mark III 22.3 MP Full Frame CMOS Digital SLR Camera with EF 24-105mm f/4 L IS USM Lens

Product Description

The Power to Create
Canon is proud to present the highly anticipated EOS 5D Mark III. With supercharged EOS performance and stunning full frame, Canon EOS 5D Mark III at Amazon.comhigh-resolution image capture, the EOS 5D Mark III is designed to perform. Special optical technologies like the 61-Point High Density Reticular AF and an extended ISO range of 100-25600 (expandable to 50 (L), 51200 (H1) and 102400 (H2) make the EOS 5D Mark III ideal for shooting weddings in the studio or out in the field, and great for still photography. Advanced professional-level high definition video capabilities (that includes a host of industry-standard recording protocols and enhanced performance) make it possible to capture beautiful cinematic movies in EOS HD quality. A newly designed 22.3 Megapixel full-frame Canon CMOS sensor, Canon DIGIC 5+ Image Processor, and shooting performance up to 6.0 fps provide exceptional clarity and sharpness, even when capturing rapidly-unfolding scenes. Additional technological advancements include an Intelligent Viewfinder, Canon's advanced iFCL metering system, High Dynamic Range (HDR), and Multiple Exposure mode—all of which that help make the EOS 5D Mark III the perfect multimedia tool.
Brilliant Sensor, Supercharged Processors
22.3 Megapixel full-frame CMOS sensor

The EOS 5D Mark III features a newly developed Canon full-frame 22.3 Megapixel CMOS sensor that's designed Canon EOS 5D Mark III 22.3 CMOS at Amazon.comfrom the ground up to create high resolution, perfectly detailed images with unprecedented speed and clarity. A full 24 x 36mm, the sensor captures 5784 x 3861 large individual 6.25 µm pixels and has a much-improved S/N ratio resulting in better images from the start. A new photodiode structure with an increased photoelectric conversion rate increases the sensor's sensitivity by approximately 2 stops over previous models, meaning higher ISOs with the lowest noise of any EOS digital camera. And a 2-line 8-channel simultaneous signal readout means speeds of up to 6.0 fps (RAW + JPEG) are possible!
14-bit A/D conversion, wide range ISO setting 100–25600 (L: 50, H1: 51200, H2: 102400)

The EOS 5D Mark III not only offers 14-bit signal processing for excellent image gradation, it delivers higher standard and expanded ISOs, and a score of new options to enhance shooting in varied and fast-changing lighting situations. With a standard range of ISO 100–25600, the EOS 5D Mark III represents a 2-stop increase in sensitivity over previous cameras. Thanks to the improved signal-to-noise ratio of the new sensor and powerful noise reduction, the EOS 5D Mark III can shoot at expanded sensitivities down to ISO 50 (L) and up to 51200 (H1), and even 102400 (H2)! Beyond the obvious advantages of its wide ISO range, the EOS 5D Mark III has automatic ISO settings, found on the dedicated ISO menu. Minimum and maximum ISO settings can be specified, as can a user-defined range, plus full auto and manual.
DIGIC 5+ Image Processor for enhanced noise reduction and blazing processing speed

For a whole new level of performance, the EOS 5D Mark III uses a DIGIC 5+ Image Processor. Working with two 4-channel A/D converter front-end processing circuits, and delivering speeds of up to 6.0 fps (RAW + JPEG), and the DIGIC 5+ Image Processor improves data processing performance and features new algorithms that promote greater noise reduction at higher ISOs. In addition to conventional image processing functions the DIGIC 5+ Image Processor offers real-time compensation for chromatic aberration in both still and motion images. With the power of this processor, speed improvements are noticeable from the instant the camera is turned on and the stunning results speak for themselves.
Canon's Most Sophisticated AF, Period
All new 61-Point High Density Reticular AFCanon EOS 5D Mark III at Amazon.com

The newly designed 61-Point High Density Reticular AF features an Offset Array Sensor (with staggering AF point arrangement) to deliver greater accuracy, no matter the situation. It offers multi-zone wide-area AF for better tracking, has 5 central dual cross-type points (f/2.8 diagonal), 21 central cross-type points (f/5.6 horizontal & vertical) and 20 outer cross-type points (f/4.0 horizontal), and is sensitive in extremely low-light situations (EV-2 for a central point with a f/2.8 lens).

The EOS 5D Mark III has a dedicated AF menu tab, so AF can be controlled without having to go through custom function menus. It also has 6 AF point selection methods (Spot, Single Point, Single + Adjacent 4 Points, Single + Adjacent 8 Points, Zone Selection, and Automatic AF Point Selection), plus a dedicated AF configuration tool for control of AI Servo AF III tracking parameters (tracking sensitivity, acceleration/deceleration tracking, and AF point auto switching).
Intelligent Metering, Fast
iFCL Metering with 63-zone dual-layering metering sensor

The EOS 5D Mark III features Canon's multi-layer 63-zone iFCL (intelligent Focus Color Luminance) Metering System that integrates the cameras AF system into its readings. By taking into account the color and luminosity surrounding the chosen AF point(s), this new system delivers an entirely new level of accuracy, especially in situations where the light changes quickly. The metering sensor enables evaluative, center weighted, partial and spot metering, plus offers 5-step exposure compensation for perfectly exposed images, every time.
Brilliant HD Recording on Demand
EOS HD Video with manual exposure control, multiple frame rates and selectable All i-frame or IPB compression

Addressing the requests of the pros and building on the unprecedented success of its namesake, the EOS 5D Mark III captures HD video with a level of sophistication on par with professional movie cameras offering phenomenal performance on a DSLR. It offers both All-I and IPB compression, supports H.264/MPEG-4 AVC High Profile, and automatically splits files greater than 4GB (FAT specifications) for extended recording without interruption. It offers the option of timecoding during recording only (Rec Run) or at all times (Free Run), useful for multi-camera shoots. It also features improved sound recording adjustment capabilities, offering 64-step volume control accessible through the Quick Control screen during video shooting, plus a dedicated headphone jack for convenience in shooting. The CMOS sensor's new drive system significantly increases image processor performance, reducing color artifacts and moiré (a common problem that occurs in scenes with horizontal lines), and ensures that the EOS 5D Mark III can record at a number of frame rates up to ISO 25600 in H mode.
All-I Compresses each frame. Although the file size is larger than IPB, each frame is not affected by the previous and next frames, making it suitable for editing and extracting frames.
IPB Compresses the movie frame by referencing the previous and next frames. High compression is used, making it suitable for recording long movies.

Recording Time based on 8GB Memory Card
Maximum Record Time 29 min. 59 sec.
ALL-I Record Time 11 min. at 1920 x 1080
12 min. at 1280 x 720
IPB Record Time 32 min. at 1920 x 1080
37 min. at 1280 x 720

Resolution fps
1920 x 1080 (Full HD) 30P (29.97), 25P, 24P (23.976)
1280 x 720 (HD) 60P (59.94), 50P
640 x 480 (VGA) 30P (29.97), 25P
Incredibly Fast Image CaptureEOS 5D Mark III at Amazon.com
High-Speed Continuous Shooting

The EOS 5D Mark III combines fast 8-channel data readout from its 22.3 Megapixel CMOS sensor and the supercharged processing capabilities of its DIGIC 5+ Image Processor with a speedier shutter and mirror system to raise the performance bar for all digital cameras, capturing full-frame images and recording them fast to UDMA or SD cards stored in the camera's dual card slots. Ideal for fixed focus situations, the EOS 5D Mark III can shoot up to 6.0 fps (RAW + JPEG).
Phenomenal Performance in Any Condition
Magnesium alloy body with shutter durability and dust- and weather-resistance

For professionals who demand nothing less than the best, the EOS 5D Mark III is designed to perform superbly, even in the most treacherous environments, every time. The body is constructed of rigid, high-strength magnesium alloy for rugged performance and features a new grip design for easier finger placement and reduced hand fatigue. Its newly redesigned shutter has lightweight and carbon-fiber blades, and is rated to maintain up to 6.0 fps performance without compromise, for up to 150,000 cycles. The EOS 5D Mark III and accessories like the new Wireless File Transmitter WFT-E7A and GPS Receiver GP-E2 have extensive gasketing for improved dust and water resistance, even at their connection points.
Self Cleaning Sensor Unit

The Self Cleaning Sensor Unit featured in the EOS 5D Mark II has been optimized for the new EOS 5D Mark III to deliver even greater dust removal for clearer images. To prevent dust accumulation, the system removes particles adhered to the surface of the infrared absorbing/ultraviolet-blocking glass in a frontward direction by vibrating the glass with ultrasound. The particles are then absorbed by an adsorbent at the bottom of the unit; the unit itself is completely sealed for protection against external contaminants, and its front face of the low-pass filter 1 is treated with an anti-dust fluorine coating making it easier to remove damp or sticky dust particles.
Sophisticated Composition, Simply
Intelligent Viewfinder with Superimposed LCD

The EOS 5D Mark III's Intelligent Viewfinder offers a sharp, bright approximately 100% field of view with an approximate magnification of .71x, a viewing angle of 34.1° and a 21mm eye-point. With a new construction featuring aspherical lens elements, the viewfinder displays less distortions and color aberrations than previous models. It uses a transparent LCD to superimpose a customizable combination of focus points and gridlines directly over the image. The AF status indicator can even be directed to display within or outside of the viewfinders image area. With the intelligent viewfinder, unlike with other cameras, the photographer has the choice of seeing shooting information or looking only at the scene in front of the camera. The ability to effectively erase all shooting data and turn it back on with the touch of a button gives the photographer the opportunity to concentrate simply on looking and composing the photograph without distraction, a great advantage in numerous shooting situations.
A Screen with A View
3.2" TFT LCD Monitor

The EOS 5D Mark III's 3.2" TFT LCD monitor has 1,040,000 dots, anti-reflective construction and features Canon's Clear View II technology for bright, sharp display in any number of shooting situations. It's ideal for reviewing settings and images, as well as for shooting in Live View mode. In Live View, grid lines can be displayed in 9 sections, 24 sections, or 9 sections with diagonals, as can the dual-axis electronic level, which helps ensure accurate level by displaying both roll and pitch. For image review, the EOS 5D Mark III has a new, dedicated Magnify/Reduce button. While pressing the button, zooming in or out (up to 10x) is achieved simply by turning the Main Dial. Images can be protected or erased quickly, individually or in batches, and slideshows can be created with some or all images and can be sequenced by date, folders, movies, stills or rating. A feature guide can be accessed for the selected menu, providing detailed reference information whenever needed.
Expanding Creativity, Simply
New High Dynamic Range (HDR)Canon EOS 5D Mark III at Amazon.com

With its new High Dynamic Range (HDR) mode, the EOS 5D Mark III can merge 3 images of varying exposure, in camera, capturing a broad range of shadow and highlight detail and delivering an image with stunning tonal range. Adjustable to cover a range of ±3 stops, and with 5 different effect settings, HDR recording truly expands the parameters of the light and dark detail a camera can actually record, surprising viewers with the range of tones a photograph can accurately recreate.
Multiple Exposure Control

The EOS 5D Mark III offers a new multiple exposure mode for film-like image creation with the convenience of in-camera processing. It offers 4 different compositing methods for proper exposure and composition: additive, average, bright and dark. Multiple exposure shots can be taken in both RAW and JPEG shooting modes, previously captured RAW images can be used as a starting point, and cumulative results can be observed and corrected in real time on the camera's LCD screen. For multiple exposure captures of quickly moving subjects, the EOS 5D Mark III even has a specific continuous shooting multiple exposure mode.
More Control with More Controls
Improved handling with addition of new customizable controls

Reconceived based on the experience and feedback of professional users, the EOS 5D Mark III's new ergonomic design is more comfortable and intuitive than ever. With a refined and intelligent layout of all control buttons and dials, shooting settings can be made with just the right hand, and quick image check and image processing operations with just the left. The grip has been redesigned for easy holding both when shooting and when carrying the camera. The rubber skin coating is designed for all day comfort in the hand, and coats the cameras card slot cover as well.

For added convenience, flexibility and limitless, uninterrupted storage capacity, the EOS 5D Mark III has dual card slots, accommodating both a Compact Flash and an SDXC card. It has three recording modes perfect for a diverse collection of workflows. When set to Auto switch media, the camera switches cards as soon as one card is filled, a perfect setting for long shoots. The camera can be set to record separately, saving different file sizes or types to each card. And for extra security, the camera can be set to create an automatic backup by recording the same file to both cards simultaneously.

The EOS 5D Mark III features a dual-axis electronic level indicator that displays both vertical and horizontal tilt on the LCD monitor either alone or during Live View shooting, and can also be displayed in the cameras intelligent viewfinder.

For an expanded range of applications, the EOS 5D Mark III is compatible with Canon peripherals for wireless file transfers and GPS. The Wireless File Transmitter WFT-E7A attaches easily to the EOS 5D Mark III, supports 802.11 a/b/g/n, has a built-in Gigabit Ethernet connection, supports FTP mode with automatic resend, EOS utility mode and WFT server mode, and can time sync multiple cameras on the same network. Canon's GPS Receiver GP-E2§ connects via USB or Hot Shoe, is dust and water resistant, records latitude, longitude and altitude, has a logging function and an electronic compass to record movement and even has a GPS† time sync function, especially helpful when a project is shot among different time zones. The 5D Mark III's dedicated Battery Grip BG-E11 has buttons and a multi-controller and delivers seamless performance whether the camera is oriented vertically or horizontally. It accommodates 2 LP-E6 batteries or an included AA battery magazine, and is very helpful in counter-balancing large lenses when shooting handheld.

§ EOS 5D Mark III requires a firmware upgrade to be compatible with the GPS GP-E2, which will be available soon.
† In certain countries and regions, the use of GPS may be restricted. Therefore, be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.
More Features, More Capabilities
Peripheral Illumination Correction, Chromatic Aberration Correction, and Distortion Correction

The EOS 5D Mark III features a number of corrective tools to accommodate for the particulars of the lens used. Canon's lens peripheral illumination correction feature corrects light falloff in the corner of the image. Chromatic aberration can be corrected at the time of shooting with the 5D Mark III's Chromatic Aberration Correction tool. The new Distortion Correction feature corrects distortions such as curved lines by correcting for the characteristics of the particular lens used to take the shot so images that may have been distorted in the captured image appear straight. The camera has correction data for a number of EF lenses preloaded, and new lenses can be added to the camera's database via EOS Utility. The camera can even distinguish between different lenses of the same model using the serial number (with compatible EF lenses).
Auto Picture Style & Scene Intelligent Auto (A+)

The EOS 5D Mark III not only features a number of Canon's Picture Style settings but also a new Picture Style Auto setting that finely controls color tones for every composition based on information from the camera's EOS Scene Detection System. This can be an effective feature not only in normal scenes, where "standard" punchy contrast will be used, but also in nature and outdoor scenes, where the blues and greens will look more vivid without the need to switch the camera's Picture Style to Landscape.
In-Camera RAW Processing & JPEG Resize

The EOS 5D Mark III features state of the art in-camera RAW processing for quick conversion of RAW files to JPEG with control with control over size, brightness, WB, Picture Style, Auto Lighting Optimizer, Noise reduction, color space, distortion correction and more. Additionally, the EOS 5D Mark III features expanded Quick Control functions during playback like image protect, image rotate, rating, RAW image processing, resize, highlight alert, AF point and image jump, meaning a streamlined workflow can begin in the field.
Comparative Playback

The EOS 5D Mark III's comparative playback mode enables images to be played back two at a time, side by side. A tremendous, in-camera timesaver, comparative playback means images can quickly be enlarged simultaneously to compare focus, blur and noise, and can be individually rated, deleted or locked.
Trimming Function

For multi-format applications, the EOS 5D Mark III can shoot with an aspect ratio of 1:1, 3:2, 4:3 or 16:9 during live view shooting. With gridded overlays, images can be trimmed in-camera with the actual image file cropped in Canon's Digital Photo Pro software.
Silent Shooting

For the first time in a 5D-Series camera, the EOS 5D Mark III offers a silent, low vibration shooting mode. By slowing down and muting the shutter and mirror reflex action, the camera is capable of handheld, virtually imperceptible operation for discrete shooting in more situations at speeds of up to 3 fps.
What's in the Box

EOS 5D Mark III DSLR Body
EF 24-105mm f/4 L IS USM
Eyecup Eg (not shown)
Battery Pack LP-E6
Battery Charger LC-­E6
Wide Neck Strap EW-­EOS 5D Mark III
Stereo AV Cable AVC-­DC400ST
USB Interface Cable IFC-­200U
EOS Digital Solution Disc
Software Instruction Manual

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Olympus OM-D E-M5 16 MP Live MOS Interchangeable Lens Camera with 3.0-Inch Tilting OLED Touchscreen and 12-50mm Lens (Black)

THE BEGINNING OF THE NEW

A new era in digital SLR technology is about to begin. Up to now, digital SLRs simply replaced film with an electronic imaging device, which did not significantly change the products in terms of size, weight and user interface. The new, revolutionary mirrorless camera, the OM-D E-M5, has an exceptionally light and compact body. Its Electronic View Finder enables photographers to check exposure levels, white balance and preview Art Filter effects in real-time. When shooting, the photographer can instantly "create" a truly unique world and preserve it in exceptional quality. The "world" will be transformed from something you see to something you "take part" in.

The OM-D is a groundbreaking, new digital interchangeable lens camera perfect for people who want to "take part", "create", and "share".

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ELECTRONIC VIEWFINDER

The OM-D's new high-resolution electronic viewfinder (EVF) features a 100% field-of-view coverage and 1.15x maximum magnification that let you totally immerse yourself in your subject, and actively control image creation. The EVF also enables you to enlarge the focus point for precision focusing in virtually any shooting situation, and can show you the effect of Highlight & Shadow Control, White Balance, Exposure Compensation, Aspect Ratio, and a host of other settings and advanced digital image processing functions right in the viewfinder. With improved precision and responsiveness that make it as easy to use as an optical viewfinder, the OM-D's advanced EVF gives you virtually unlimited creative control.
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HIGH IMAGE QUALITY

Three key factors contribute to the OM-D's unprecedented image quality: a wide lineup of M.ZUIKO DIGITAL lenses for sharp, clear subject capture, a new 16-megapixel Live MOS image sensor for rich tonal expression, and an advanced TruePic VI image processor for superb color fidelity. The optimal balance of these factors ensures the high resolution, sensitivity, and color accuracy you need to brilliantly capture the world around you.

FAST AF

The world's fastest* AF system, FAST AF, has been made even faster and more accurate on the OM-D. Improved new 3D Tracking AF assures you won't miss the moment even when subjects move toward or away from you, and the new high-sensitivity image sensor ensures superior AF performance even in dim light. *Among digital cameras with interchangeable lenses available as of February 8, 2012, when using the OLYMPUS M. ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ lens with the E-M5, based on Olympus in-house measurement conditions.

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9 FPS HIGH-SPEED SEQUENTIAL SHOOTING

Thanks to the new 16-megapixel Live MOS image sensor's high-speed read-out performance, the OM-D offers maximum sequential shooting at 9 fps, making it easy to capture sports action or fast-moving subjects such as pets and wildlife. In addition, a compact new high-speed shutter mechanism enables the OM-D to offer this performance without compromising the handling advantages of a light and compact body.
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5-AXIS IMAGE STABILIZATION

The OM-D is equipped with the world's first 5-axis image stabilization system, and can compensate for vertical, horizontal, and rotational camera shake that conventional 2-axis systems of the past have been unable to handle. Built into the camera body to ensure effective stabilization with all lenses, its unique 5-axis design makes it particularly effective when taking high-magnification telephoto shots, macro close-ups, and long exposures. In addition, it can be activated by pressing the shutter button halfway, so you can also use it to stabilize the viewfinder image and obtain a crisp, clear view of your subject that makes it easy to frame and compose your shots.

DUST-PROOF & SPLASH-PROOF CONSTRUCTION

Trouble-free shooting in all environments is assured by our proven dust-proof and splash-proof technology. Numerous specially constructed seals throughout the body protect the camera from sand, dust, rain, and water spray, making it ideal for all kinds of outdoor shooting. What's more, this protection extends to the M.ZUIKO ED 12-50mm F3.5-6.3 EZ lens, the bundled detachable flash unit, and the optional HLD-6 grip and power battery holder.

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TILTING 3-INCH OLED TOUCHSCREEN

In addition to offering dial and button controls, the OM-D is the first Olympus camera to feature a tilting touchscreen monitor for intuitive fingertip operation. The 3-inch OLED touchscreen delivers high-resolution images of your subject with rich color reproduction. It also responds instantly to your touch with fast operation that makes it easy to focus on subjects, play back images, and adjust settings such as exposure and white balance.

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LENSES AND ACCESSORIES

In addition to its new electronic motorized M.ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ lens with quiet, linear drive AF, the OM-D is supported by an ever-expanding range of wide-angle, macro, portrait, and telephoto Micro Four Thirds M.ZUIKO DIGITAL lenses. System accessories include cases, straps, filters, external flash units, and mount adapters for Four Thirds System lenses and OM System lenses.


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